Magical realism，on the one hand，as one of thoughts and genres of cosmopolitan literature which had traveled from Europe to Latin-American and Asia （mainly China），which has closest relation on the negation which disavowed social life and life form and literature genre of Capitalism in Europe and between Latin-American and Asia，on the other hand，as one of literature styles of culture of nation and geography，which mainly runs on the fusion and development of nation culture shapes of geography and life forms and literature styles in Latin-American and Asia （mainly Chia）.In the development process of magical realism，Mo-yan who as writer of China and Márquez who come from Columbia are indubitable the special richest and representative writer of Magical realism.The comparative research which involves works of Magical realism of Mo-yan and Márquez，one side，has inevitable meaning of theory which mainly deal with carding of the literature history and identifying the literature charaster of Magical realism，the other side，also has meaning of sociology of literature which refer culture fusion and life form of nation geographical.

The relationship between two literature geography which come from Mo-yan and Márquez is very complicated and subtle.A good many disquisitive articles which about correlative novels between them have come forth，but only a few articles which discussed about the correlative relation of literature's geography，and which was mainly covered with flag of magic realism，such research of effect which concerned about few composition and have no taken the whole view. The research in this book will be based on it. By the study method which mainly includes close reading and parallel comparison，and by the supplement of ordering of literature and perspective of theory，this book mainly covers river novels which come forms Mo-yan and Márquez，and many short story crucial will be analyzed correctly in the moment of truth.

This book which tries to do more understanding as well as deeper one on the topic which deals with similarities and differences of literature fields of Mo-yan and Márquez than before，this book will analysis magical narrative style which is based on idendifying of concerpts，disconstruction of Other，dialogizing of greographical literature，primordial thinking，religious implicaton，metamorphic mind，confiding of vital，literature resource and so on.So，this book will be display by nine sections.

Chapter first：preface.To clarify crucial foundation investigated of relative topic，and to summarize the chance，meaning and investigating methods of this selection，and to make out the doctrinal foundation of this comparative paper which will be based on the summarizing of correlative literature.

Chapter second：introduction.This section try to present vicissitude of the conception of Magic realism which had come from Latin America and taken root in China，and to analyze compactly mutual relation which lies in associated literature of Mo-yan and Márquez，the material comparative investigation of later chapters which will be anchored in this schools of literature.

Chapter third：life fable and deconstruction of other.The thoughts of deconstruction is one crucial step of being-self and identifying-self and developing-self which involved culture of nation geographical and forms of punchy life and literature manner. The meaning of deconstruction which means concisely innovation、rewriting and rebelling which concerns about writer's gesture against outer circumstances、aesthetics standpoint them-self and literature writing before，etc.Firstly，to analyze the different attitude which comes from Mo-yan and Márquez，which concerns about deconstructing against narrative strategy of Holy Bible of Western cultural world. Secondly，between two relative literature worlds，by the method of comparison，to analyze and to induce，the difference and the homology which concern about rebelling system of literature narrative dialogue themselves in novels，deviation from sheer estheticism in literature，etc.Finaly，to elucidate the gesture which concerns about their points of deconstruction against Darwinism's view of historical evolution who adopted the idea of straight lined developing history，and the homology of their position，strategy，soluble plans of deconstruction，as well as the discrepant one.

Chapter fourth：cultural dialogues and narrative geographical. Growing up of cultural （literature），must meet multi-dimesional dialogue of culture （literature） of nation geographical，so，the significance of contracting and fusing of the culture geographfical must be visualized in magical realism literature of Mo-yan and Márquez.First，to analyze and induce the difference and similar which concern about narrative style and perspective of examination，by comparison of dialogue which lies in between race and hegemony，individual life and collective war，etc.Second，by the faces which concern about the text's narrative strategy and the meaning of image，to analyze similarities and differences of the narrative of culture dialogue between oriental and east in their novels. Lastly，by the dialogue between town and country in their novels，to analysis difference and homology of the faces which concern about the images，dialogue and communication，etc.

Chapter fifth：primordial thinking and magic narration. Primitive thought，as a toting thinking form of human，which primitive character become internal logic foundation and superficial presentation of texts which represents and thinks over culture of colonial social and modern rational hegemony.To analyze deeply and comparatively contents and text of fingers and plots and space-time of magic realism novels of Mo-yan and Márquez which are all magic and special，by using thinking's structure of the law of permeability which is indicated by original thinking which is belong to “Lucien Lévy-Bruhl”，who is a anthropologist of France.

Chapter sixth：religious connotation and magical narration. Religion，as an important constitutive section of life world and aesthetic views，which impacts text's stamp of magical realism literature of Mo-yan and Márquez.First，to investigate the special feature of magic space which includes dancing jointly of God，ghost and goblins and human races，and bestial world and wasteland which lie in the texts of magic realism's novels of Mo-yan and Márquez.Second，to analyze the style of magic plots of Mo-yan's novels as well as Márquez's one which concern about transformations and metamorphoses，flying into the Heaven，metempsychosis and transmigrations that are not consistent with logic of science.Third，to induct the Religion's views from the magical realism novel of Mo-yan and Márquez which concern about the idea of living and death as well as of counterattacking point of view that indicates that wine-women-wealth are more important than anything in this world. Moreover，the meaning of creating of religion's connotation will be emerged in magical realism novels.

Chapter seventh：metamorphic mind and magic narration.In the social of colonialism and post-industry，the being and developing of human have and will meet many handicaps，so，many phenomena of metamorphic mind have to egerge.That phenomenon is also an important section of literature style of magical realism.By the methods comparative，researcher plans to analyze the connotation of magic realism's novels of Mo-yan and Márquez which mainly runs on abnormal psychology's conceptions. First，to study text's images of hunger and solitude which express so many times and abnormal in the novels which are related to childhood's experience of writers. Second，to analyze images，sequences and system of odd persons who have unusual speeches and actions both indicate abnormal psychology. Final，by the methods of comparative，to point out magic text's style that was made of by using of narrators，who have abnormal psychology in the relative novels.

Chapter eighth：vital confiding and magic narration. Life forms of folkman and strongerman，is a internal foundation of rising up of world and opening of narrative style in literature of Mo-yan and Márquez.To appear live dramatic features of navels' texts of Mo-yan and Márquez，by the method of closing reading，which mainly based on the three sections：animal self-reflection of execution' story，vital confiding of civilian women and depiction of affection，and so on，and to appear art's superficial presentation and sociological connotation of cultural life forms in history of Mo-yan's novels as well as Márquez's one.

Chapter ninth：literature resource and magic narration.By the faces which contain the rheology of literature history and idea history of literatury，and selecting of aesthetic style etc.a diversity and globalism of magical realism literature which come from Mo-yan's literature and Márquez's one will be opened out.

Chapter tenth：the epilogue. First，to set forth preditions and stamps of cosmopolitan and regionality of magical realism of Mo-yan's novels as well as Márquez's one.Second，to summarize central contents investigated，and gain and loss of methods.Final，to indicate contributions and meaning of this book in correlative topics.and to insist that the theory of Mo-yan and Márquez which has no ending is a treasure of art in history of contemporary literature as well as international one.Although many correlative researchs about magical realism in literature field have been built up，but up to now never adequately.

Key-words：Mo-yan，Márquez，magic world，vital depiction