本成果是两代人花费三十多年的心血，经过潜心爬梳各类戏曲史料，分类辑钞而成的戏曲的理论汇编。本成果将论述戏曲文化现象的文字从芜杂的史料中辑录出来，按其主旨分类编纂，同一主旨的理论按其产生的时代先后编排，形成了本成果三大类统摄二十二小类的体制，旨在构筑中国古典戏曲理论的框架。如此编类，依据主要有二：一中国古典戏曲的形成、存在、传播的客观事实；一是中国古典戏曲的生成学、特征学、实体学、批评史之间的逻辑关系。本成果的主要内容有：一、论述戏曲生成与特征方面的理论。二、论述剧本与表演的理论。三、论述戏曲传播与赏评的理论。

This achievement is a theoretical compilation of opera that two generations have spent more than 30 years of painstaking efforts to comb through various historical materials of opera and classify and compile banknotes. This achievement compiles the texts discussing the cultural phenomena of opera from the miscellaneous historical materials, classifies and compiles them according to their main theme, and arranges the theories of the same theme according to the era in which they were produced, forming a system of 22 sub-categories of the three major categories of this achievement, aiming to build a framework for classical Chinese opera theory. This classification is based on two main bases: first, the objective facts of the formation, existence and dissemination of classical Chinese opera; The first is the logical relationship between the generative science, the theory of characteristics, the study of substance, and the history of criticism of classical Chinese opera. The main contents of this achievement are: 1. Discuss the theory of the production and characteristics of opera. Second, discuss the theory of script and performance. 3. Discuss the theory of opera dissemination and appreciation.（AI翻译）

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