本书以中国现代散文艺术的本体论、流变论和传媒论为论述框架，运用历史主义和现代传媒的理论与方法，在古今贯通、中西融合、对照考辨的视界中，从现代性艺术品格、体式结构、美学特质等方面，对中国现代散文艺术的特质、形成与建构进行合理有效的分析与阐释。本书在借助原始资料文献还原现代散文的历史建构的基础上，注重将现代传媒理论引入散文艺术研究，对现代传媒与现代散文艺术之间深隐复杂的内在联系，以及不同时代、不同类型的具有典型性的文学报刊对散文艺术建构的不同影响，进行了细致的爬梳与考辨，统合性地发掘中国现代散文艺术的现代性、历史性、民族性与本土性品格。

This book takes the ontology, rheology theory and media theory of modern Chinese prose art as the framework of discussion, uses the theories and methods of historicism and modern media, and provides a reasonable and effective analysis and interpretation of the characteristics, formation and construction of modern prose art from the aspects of modern artistic style, asana structure and aesthetic characteristics in the perspective of ancient and modern, integration of Chinese and Western, and comparative examination. On the basis of restoring the historical construction of modern prose with the help of original materials, this book focuses on introducing modern media theory into the study of prose art, and carefully combs and examines the deep and complex internal relationship between modern media and modern prose art, as well as the different influences of different eras and different types of typical literary newspapers and periodicals on the construction of prose art, and comprehensively explores the modernity, historical, national and local character of modern Chinese prose art.（AI翻译）

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