本书立足于艺术现代性的视域，力图以问题意识和批判意识来还原和建构当下审美艺术的发展与走向，主要研究和探讨艺术现代性视域下的审美艺术思想和审美艺术现象。这些话题在当下审美艺术的发展中具有代表性和争议性，它们展现了当前审美艺术发展的基本面貌和主要趋势，同时在当下审美艺术发展中也颇具涵盖性和贯穿性。本书引入了艺术社会学和艺术现代性的维度，所讨论的命题与思想不仅活在当下，同时也有其历史渊源，既致力于溯源，也致力于评述。本书还关注当下艺术界所出现的新现象和新问题，并致力于使这些关于艺术和审美现象的关注积淀下来，成为新的学术范畴或学术热点。笔者认为，本书中相关话题的讨论以及围绕这些话题的争论可以超越专业化、学院化的理论“樊笼”，展现当下审美艺术研究的复调型和跨界性生存。

Based on the perspective of artistic modernity, this book strives to restore and construct the current development and trend of aesthetic art with problem awareness and critical awareness, and mainly studies and discusses aesthetic art ideas and aesthetic art phenomena from the perspective of artistic modernity. These topics are representative and controversial in the development of aesthetic art, they show the basic appearance and main trends of the current development of aesthetic art, and at the same time they are quite inclusive and permeable in the current development of aesthetic art. This book introduces the dimensions of art sociology and artistic modernity, and the propositions and ideas discussed are not only living in the present, but also have their historical origins, both to tracing their origins and to commentary. This book also focuses on the new phenomena and problems that have emerged in the current art world, and is committed to making these concerns about artistic and aesthetic phenomena accumulate and become new academic categories or academic hot spots. The author believes that the discussion of related topics in this book and the debates around these topics can transcend the professional and academic theoretical "fan cage" and show the polyphonic and cross-border survival of current aesthetic art research.（AI翻译）

暂无简介

用户未登录无权限查看参考文献