图书简介
本书从人类学艺术经验、国外典籍文献、中国文物遗存、文学人类学作品阐释与审美分析、民俗学与民族学文学事象等五个方面,系统探讨了人类学美学发展中一些基本的理论与实践问题。提出了美的本义起源于原始宗教羊生殖崇拜的观点;指出我国目前审美人类学应重点研究族群文化审美及表现形式;在探究中国上古艺术右旋律、回首律、拆半律等审美法式基础上,主张用马克思主义经典作家关于物质文化遗存与“美”的关系的理论,建构文物考古美学;并给出了文学人类学的新的学科定义:“文学人类学”应把人类学事象与文学活动的交融促生关系以及前者对后者规律形式的作用作为自己的研究对象,倡导回归“本体论的文学人类学”。
This book systematically discusses some basic theoretical and practical issues in the development of anthropological aesthetics from five aspects: anthropological art experience, foreign classic documents, Chinese cultural relics, interpretation and aesthetic analysis of literary anthropological works, folklore and ethnological literary events. put forward the idea that the original meaning of beauty originated from the primitive religion of sheep reproductive worship; It is pointed out that the current aesthetic anthropology in China should focus on the aesthetics and expressions of ethnic culture; On the basis of exploring the aesthetic French styles such as the right melody, the law of retrospective, and the law of half dismantling in ancient Chinese art, it is advocated to use the theory of Marxist classic writers on the relationship between material cultural relics and "beauty" to construct the aesthetics of cultural relics archaeology. He also gave a new disciplinary definition of literary anthropology: "literary anthropology" should take the relationship between anthropological events and literary activities and the role of the former on the regular form of the latter as its research object, and advocate a return to "ontological literary anthropology".(AI翻译)
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