清代诗学依托于学术色彩浓厚的思想史背景，对整个古典诗学作了历史性的总结和梳理，是古典诗学的集大成和总结时期。本书作为《清代诗学史》的第一卷，内容包括鸟瞰整个清代诗学文化性格和历史特征的导言以及论述顺治、康熙、雍正三朝诗学的六章正文，既有历史进程的整体观照，也有具体诗论家的细致评析。相比前人以单一的观念史视角考察清代诗学的批评史、诗学史著作，本书的研究首先立足于诗学文献的细致梳理，融观念史、批评史、学术史于一体，在更广阔的学术视野下，对清初诗学的历史进程、现实指向、理论品格及对后期诗学的影响作了充分的论述。全书展现的丰富的诗学现象和理论内容，足以改变学界有关中国诗学的文化特征及理论品格的一些成见，有助于反思当代文学理论研究的问题，为建设本土化的文学理论提供一些有价值的参考和借鉴。

Relying on the background of intellectual history with strong academic color, Qing Dynasty poetics made a historical summary and combing of the entire classical poetics, which was a collection and summary period of classical poetics. As the first volume of the History of Poetics in the Qing Dynasty, this book includes an introduction with a bird's eye view of the cultural character and historical characteristics of poetics in the entire Qing Dynasty, as well as a six-chapter text on the poetics of the Shunzhi, Kangxi, and Yongzheng dynasties. Compared with the predecessors who examined the critical history and poetic history of poetics in the Qing Dynasty from the perspective of a single conceptual history, the research of this book is first based on the careful combing of poetic literature, integrating conceptual history, critical history, and academic history, and fully discussing the historical process, practical orientation, theoretical character and influence of early Qing poetics on later poetics under a broader academic perspective. The rich poetic phenomena and theoretical content displayed throughout the book are enough to change some stereotypes about the cultural characteristics and theoretical character of Chinese poetics, help to reflect on the problems of contemporary literary theory research, and provide some valuable references and references for the construction of localized literary theory.（AI翻译）

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