消化西方接受美学与读者反应理论的某些合理内核，针对现代诗的接受困境、难度进行问题清理；抓住现代诗接受的特异性、开放性、有界性，展开自己的回应。

在中西接受比较的汇通、平行基础上，返观古今诗歌的接受差异；讨论现代诗接受主体的裂隙、局限；质询接受中的特点、难点、瓶颈、影响因子、特殊路径、有效性及经典化；分析“阐释共同体”的接受前提、“心得意会”的接受心理机制、以趣味为中心的接受趋势；提出接受的“哑铃模型”，以心动为主导的“四动”图式，建立以形式化结构与接受响应度互动的坐标，探访现代诗的接受尺度及好诗的“品级”系列。

在诗歌接受学的现当代部分，力求自成一说。

Digest some reasonable cores of Western reception aesthetics and reader response theory, and clean up the problems of the reception dilemma and difficulty of modern poetry; Grasp the specificity, openness, and boundedness of modern poetry reception and unfold your own response. On the basis of the convergence and parallelism of Chinese and Western acceptance comparison, we look back at the difference in reception of ancient and modern poetry; discuss the rifts and limitations of modern poetry's acceptance of subjects; Characteristics, difficulties, bottlenecks, impact factors, special paths, effectiveness and canonization in challenge acceptance; Analyze the acceptance premise of "interpretation community", the psychological mechanism of acceptance of "experience and satisfaction", and the acceptance trend centered on fun; The "dumbbell model" of acceptance is proposed, the "four movements" schema dominated by heartbeat, the coordinates of interaction between formal structure and reception responsiveness are established, and the reception scale of modern poetry and the "grade" series of good poetry are explored. In the modern and contemporary part of poetry reception, it strives to be self-contained.（AI翻译）

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