本书是国内外从整体上研究东欧新马克思主义文艺理论的第一部著作。本书在总体概括东欧新马克思主义文艺理论总体概貌的基础上，主要从实践美学的存在维度、语言符号学转向、艺术样式理论及其批评实践来探究东欧新马克思主义文艺理论的核心问题。本书依据第一手资料的深入解读，从中国立场出发，依据苏俄马克思主义、西方马克思主义文艺理论的视野，充分考虑文艺理论中的符号学、语言学等重要命题，系统地研究东欧新马克思主义的核心问题，具有视野独特性、问题意识的当下性和研究结论的原创性。

This book is the first work at home and abroad to study the new Marxist literary theory of Eastern Europe as a whole. On the basis of a general overview of the overall overview of the neo-Marxist literary theory in Eastern Europe, this book mainly explores the core issues of the neo-Marxist literary theory in Eastern Europe from the existential dimension of practical aesthetics, the turn of linguistic semiotics, the theory of art style and its critical practice. Based on the in-depth interpretation of first-hand sources, starting from the Chinese standpoint, according to the vision of Soviet Marxism and Western Marxist literary and art theory, fully considering important propositions such as semiotics and linguistics in literary and art theory, this book systematically studies the core issues of neo-Marxism in Eastern Europe, with the uniqueness of vision, the immediacy of problem consciousness and the originality of research conclusions.（AI翻译）

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