文学关注“人”，特别要表现人的“三性”，即：“兽性”“人性”与“神性”。设置“神性”的标准，不是为了达到“神性”，而是为了获得“人性”，不至于处身“兽性”。从这个意义上说，文学表现“人性”，总是不能离开“神性”的立场；文学是“人学”，总是要有“神学”的参照。这是文学的魅力。本书认为，相对于“启蒙”“革命”“批判”“生存”等现实主义要义，当代中国文学的力量也源自神学精神层面的“博爱”，“博爱现实主义”也就成为现实主义文学形态的一种界定。

Literature pays attention to "man", especially to express the "three natures" of man, namely: "bestial nature", "human nature" and "divine nature". The standard of "divinity" is not to achieve "divinity", but to obtain "human nature" and not to be in "animal nature". In this sense, literature expresses "human nature" and can always not depart from the position of "divinity"; Literature is "anthropology", and there must always be a reference to "theology". This is the charm of literature. This book argues that compared with the realist essentials of "enlightenment", "revolution", "criticism" and "survival", the power of contemporary Chinese literature also comes from the "fraternity" at the spiritual level of theology, and "fraternal realism" has become a definition of the literary form of realism.（AI翻译）

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