本书围绕王建疆关于人文学科需要独创的主义的观点和他本人创立别现代主义理论的实践，在国际哲学界和艺术理论界展开对话。对话内容包括：1.人文学科是否需要建立主义？2.主义是怎么建立的？3.别现代主义为什么要别？4.别现代与现代和后现代的区别在哪里？5.中国的人文学科有无必要和可能领先世界？6.别现代主义是否具有世界意义？7.相似艺术的不同意义说明了什么？

在对话和讨论中，不仅别现代主义的理论内涵得到进一步充实，而且还催生了阿列西·艾尔雅维茨的哲学四边形论、罗可·本茨的新哲学时刻论等。本书记录了别现代主义的国际背景和来龙去脉以及各种新理论的产生过程，展现了国际学术论辩所带来的话语创新。

Brief Introduction

Based on Wang Jianjiang's view about the distinctive zhuyi needed by the humanities and his practice of establishing Bie- modermist theories,this book serves as a platform for dialogue in the intermational philosophical and artistic theoretical circles.The content of the dialogue includes:1.Does the humanities need establishment of zhuyiisms?2.How is the establishment of the doctrine?3.Why is the Bie-modernism different?4.What is the difference between Bie-modern and modern and postmodern?5.Is there a need and possibility for China's humanities to lead the world?6.Does the Bie-modernism have world significance?7.What do the different meanings of similar art illustrate?

In the dialogue and debate,not only the theoretical connotation of Bie-modernism has been further enriched,but also generated the philosophical quadrilateral theory of Aleš Erjavec and the new philosophical moment theory of Rok Benčin,etc.This book records the international background and the context of Bie-modernism and the emergence of various new theories,and demonstrates the innovation of discourse brought about by international academic arguments.

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