本书对古今成都形象的表述变迀进行考察，以此探知成都的生活方式、道德价值、精神气质如何形成，如何被外部、内部人群感知和认同，在全球化时代成都又怎样利用形象资本应对和加入全球化浪潮、进行城市现代化转型。第一章从成都的原生形象“天府之国”谈起，讨论“天府”“天府之国”名号赋予成都的历史过程和意义流变，以及在当代凝聚成都人城市认同的原理。第二章探讨成都自古至今在文化、政治、经济等方面的边缘形象，透视成都在中央与地方的国家管理格局中的发展脉络。第三章展示国家、精英和民众眼中的成都休闲形象的变迁，探寻三者在地方风俗治理过程中的博弈和合谋关系。第四章着眼于个人对城市最直接的经验和表述，从空间、性别、饮食三方面来展现成都最具特色的生活文化是如何形成的。第五章聚焦当代成都在城市转型中如何利用各种遗产来再造形象，对城市形象塑造活动中的遗产化实践进行了批判性反思。最后从理论上讨论了成都本相与形象表述的关系，成都形象表述变迀与城市认同建构的关系以及其中所具有的人类意义。

This book examines the changes in the expression of the image of Chengdu in ancient and modern times, so as to explore how Chengdu's lifestyle, moral values and spiritual temperament are formed, how it is perceived and recognized by external and internal people, and how Chengdu uses image capital to cope with and join the wave of globalization and carry out urban modernization transformation in the era of globalization. The first chapter starts from the original image of Chengdu, "the country of Tianfu", discusses the historical process and meaning of Chengdu given by the names "Tianfu" and "Country of Tianfu", and the principles of condensing the urban identity of Chengdu people in contemporary times. Chapter 2 explores Chengdu's marginal image in terms of culture, politics, and economy since ancient times, and provides a glimpse of Chengdu's development in the central and local state management patterns. Chapter 3 shows the changes in the image of leisure in Chengdu in the eyes of the state, elites and the people, and explores the game and collusion relationship between the three in the process of local customs governance. Chapter 4 focuses on the most direct personal experience and expression of the city, and shows how Chengdu's most distinctive living culture is formed from the three aspects of space, gender and food. Chapter 5 focuses on how contemporary Chengdu uses various heritages to recreate its image in urban transformation, and critically reflects on the practice of heritage in urban image shaping activities. Finally, the relationship between Chengdu's original appearance and image representation, the relationship between Chengdu's image expression and urban identity construction, and its human significance are discussed theoretically.（AI翻译）

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