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中国古代戏曲观的嬗变

ISBN:978-7-5203-4695-5

出版日期:2019-07

页数:321

字数:324.0千字

丛书名:《国家社科基金》

点击量:9500次

定价:110.00元

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本书是我国第一部关于古代戏曲观研究的专著。全书以“戏曲观”为逻辑起点,以“古代学人”为切入口,以戏曲理论文献为研究平台,以“戏曲何谓”(本质论)和“戏曲何为”(功能论)为基本问题域,在“观念史”方法的统摄下,通过戏乐与伎艺、歌舞与声色、诗学与尊体、曲学与辨体、剧学与得体、总结与综合、花雅与民间化、会通与现代等概念范畴的阐释和解读,不仅展示了中国古代戏曲观从泛化到窄化的历时性过程,也暗示了从窄化再到泛化的现代趋势,同时也显现了从庙堂的统治者和学人到江湖的意见领袖与大众的共时性交集,更为重要的则是,本书建构了一幅从两汉到晚清戏曲观的缠变图谱。

This book is the first monograph on the study of ancient opera concepts in China. Taking "opera view" as the logical starting point, "ancient scholars" as the entry point, opera theory literature as the research platform, and "what is opera" (essentialism) and "what is opera" (functionalism) as the basic problem areas, under the guidance of the "conceptual history" method, through the interpretation and interpretation of concepts such as opera and tricks, song and dance and sound color, poetics and respect, qu science and body discrimination, drama and decency, summary and synthesis, flower elegance and folkization, meeting and modernity, etc. It not only shows the diachronic process of ancient Chinese opera view from generalization to narrowing, but also hints at the modern trend from narrowing to generalization, but also shows the synchronic intersection between rulers and scholars of temples and scholars to opinion leaders of rivers and lakes and the public, and more importantly, this book constructs an entanglement map from the Two Han Dynasty to the late Qing opera view.(AI翻译)

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引文

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GB/T 7714-2015 格式引文
王苏生.中国古代戏曲观的嬗变[M].北京:中国社会科学出版社,2019
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MLA 格式引文
王苏生.中国古代戏曲观的嬗变.北京,中国社会科学出版社:2019E-book.
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APA 格式引文
王苏生(2019).中国古代戏曲观的嬗变.北京:中国社会科学出版社
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