本书以西双版纳南传上座部佛教文化及其诵经音声为研究对象，将其置于当代（1980—2016）信仰社会的重构与变迁的语境中进行考察和研究。本书从方法论角度可定位于历史音乐民族志范畴，尝试把对象和内容都置于历时—共时的“连续统一体”中，在信仰社会的整体“结构过程”之中解答南传佛教音乐文化的重构过程、现状成因以及变迁的内容和特征，通过上篇历时研究、中篇共时铺陈、下篇综合分析三个大部分进行呈现。

This book takes the Theravada Buddhist culture and its chanting sounds as the research object, and places it in the context of the reconstruction and change of the contemporary (1980-2016) belief society. From a methodological point of view, this book can be positioned in the category of historical music ethnography, trying to place the object and content in the diachronic and synchronic "continuum", and answer the reconstruction process, the causes of the current situation, and the content and characteristics of the changes in the overall "structural process" of the belief society, and present it through three major parts: the first diachronic research, the middle part synchronic layout, and the second comprehensive analysis.（AI翻译）

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