《小说新报》（1915—1923）是民初市民作家（即所谓的旧派作家或鸳鸯蝴蝶派作家）的一个大本营，是持续时间较久（9年），发行期数较多（共94期），发行范围较广，影响较大的大型通俗文学刊物，具有代表性。本书摈弃中国文学现代化进程研究中普遍使用的“冲击——反应模式”，采用“自感——反应模式”，突出“内源性”而非“外源性”。全书包括《小说新报》与民初长篇小说的正统性及其变革、《小说新报》与民初短篇小说的正统性及其变革、《小说新报》与民初小说艺术的内源性变革、《小说新报》与传统诗文之延续、《小说新报》与民初讲唱文学及其小传统、《小说新报》与传统戏曲的变革、《小说新报》与我国的谐隐文学小传统、《小说新报》与传统文学批评文体及其新变、《小说新报》之改良与民初旧派文学之调适等九章，内容丰富，不乏创意。

"Novel Xinbao" (1915-1923) was a base camp of citizen writers (the so-called old-school writers or Mandarin duck butterfly writers) in the early Minchu Dynasty, and was a large-scale popular literary journal with a long duration (9 years), a large number of circulation issues (a total of 94 issues), a wide circulation range, and a large influence. This book abandons the "shock-response model" commonly used in the study of the modernization process of Chinese literature, and adopts the "self-induction-response model", highlighting "endogenous" rather than "exogenous". The book includes the legitimacy and transformation of "Novel Xinbao" and Minchu novels, the legitimacy and transformation of "Novel Xinbao" and Minchu short stories, the endogenous changes of "Novel Xinbao" and the art of early Minchu novels, the continuation of "Novel Xinbao" and traditional poetry, "Novel Xinbao" and early Minchu singing literature and its small traditions, the transformation of "Novel Xinbao" and traditional opera, "Novel Xinbao" and China's small tradition of harmonious literature, "Novel Xinbao" and traditional literary criticism style and its new changes, "Novel Xinbao" The nine chapters, such as the improvement and adaptation of the literature of the old school of the early Minchu period, are rich in content and not lacking in creativity.（AI翻译）

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