中国儒学缄默维度是在语言关闭的缄默中，转向静的深度体证，具有渊与根两个特征，集约表达为“藏心于渊，美厥灵根”，诗意表达为“氤氲一气似初春”。本书从孔子观周见金人“三缄其口”开始，以方以智证成太极丸春结束，选取颜回、言偃、扬雄、周敦颐、朱熹、杨简、文天祥、王阳明及其后学胡直与万廷言、刘宗周、王夫之等重要儒者，溯源至孟子、《易传》、庄子、屈原四个先秦流派的展开与互动，围绕罕言与雅言、深静与真动、冲然与恬愉、主静与持敬、艺术大美与道德至善等重点问题，挖掘中国儒学缄默维度的深蕴及特质，并展望其在现代语境的展开，重写中国儒学史。

The silent dimension of Chinese Confucianism is a deep experience of turning to stillness in the silence of language closure, with the two characteristics of abyss and roots, intensively expressed as "hiding the heart in the abyss, beautiful spiritual root", and poetically expressed as "one breath like early spring". This book begins with Confucius's observation of Zhou Jianjin's "three silences", and ends with Fang Zhizhengcheng Taiji Maruchun, and selects important Confucians such as Yan Hui, Yan Wei, Yang Xiong, Zhou Dunyi, Zhu Xi, Yang Jian, Wen Tianxiang, Wang Yangming and his later students Hu Zhi and Wan Tingyan, Liu Zongzhou, Wang Fuzhi, etc., and traces back to the development and interaction of the four pre-Qin schools of Mencius, Yi Chuan, Zhuangzi and Qu Yuan, focusing on key issues such as rare words and elegant words, deep silence and true movement, impulse and pleasure, master stillness and respect, artistic beauty and moral perfection. Excavate the deep meaning and characteristics of the silent dimension of Chinese Confucianism, and look forward to its development in the modern context, rewriting the history of Chinese Confucianism.（AI翻译）

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