本书立足于大众消费主义的社会文化语境，以中国大陆90年代女性诗歌为研究对象，对其整体特点与风格进行探索，纵向切入女性诗人及其文本，横向兼顾“大众文化”“女性意识”“写作姿态”“诗艺特征”四个维度。在展开研究的过程中既注重集束的关照，又注意条分缕析的求证，尽可能相对完整地把握90年代女性诗歌的真实存在状态与潜在发展脉络。

首先，透过大众消费文化的潜望镜对90年代女性诗歌进行比较全面的考察，着力揭示其在大众消费文化冲击下的复杂处境和生存状态。从文化工业的角度阐释90年代女性诗歌的生产、传播及消费过程在大众消费文化影响下发生的变异。

其次，从女性意识呈现角度重审20世纪90年代女性诗歌的创作。本书力图突破和越出模式化的女性主义批评樊篱，以回归女性诗歌文本的方式印证女性意识在90年代女性诗歌中的多维度、多层面的呈现，清晰地展示90年代女性诗歌创作中女性意识衍变的历程。

最后，从纯粹的诗歌价但和艺术的基本要素方面，系统地研究90年代女诗人的共同经验、主题、诗歌语言和技巧，并透视出其话语的形成机制以及女性诗歌与国内外文学环境的交叉关系。既呈现出90年代女性诗人复杂与多元的写作群落，又尽可能观照女性写作个体，注重个体诗学与群体诗学的互动。

Based on the social and cultural context of mass consumerism, this book takes women's poetry in the Chinese mainland 90s as the research object, explores its overall characteristics and style, cuts vertically into female poets and their texts, and horizontally takes into account the four dimensions of "popular culture", "female consciousness", "writing posture" and "poetic characteristics". In the process of carrying out research, we not only pay attention to the care of clustering, but also pay attention to the verification of piecemeal analysis, and grasp the real existence and potential development of women's poetry in the 90s as completely as possible. Firstly, through the periscope of mass consumption culture, a more comprehensive investigation of women's poetry in the 90s is carried out, focusing on revealing its complex situation and survival under the impact of mass consumption culture. From the perspective of cultural industry, this paper explains the mutation of the production, dissemination and consumption process of women's poetry in the 90s under the influence of mass consumption culture. Secondly, the creation of women's poetry in the 90s of the 20th century is reviewed from the perspective of the presentation of women's consciousness. This book strives to break through and go beyond the stereotypical feminist criticism barrier, confirm the multi-dimensional and multi-dimensional presentation of female consciousness in women's poetry in the 90s by returning to the text of women's poetry, and clearly show the evolution of women's consciousness in women's poetry in the 90s. Finally, from the perspective of pure poetry and the basic elements of art, this paper systematically studies the common experience, themes, poetic language and techniques of female poets in the 90s, and explores the formation mechanism of their discourse and the intersection relationship between women's poetry and the literary environment at home and abroad. It not only presents the complex and diverse writing community of female poets in the 90s, but also looks at individual female writers as much as possible, paying attention to the interaction between individual poetics and group poetics.（AI翻译）