20世纪90年代中后期以来，中国当代艺术受到世界范围内视觉文化“图像转向”的巨大影响，在认知机制、观看方式、媒介技术与艺术观念等各个层面都发生了一系列重要的转型与变化。从“具身认知”理论视野看，中国当代艺术的意义与价值在于对知觉固化与图像专制的反抗以及对视觉想象力的不断开启。本书认为，“具身观看”和“自由知觉”是中国当代艺术从视觉认知与观看方式上回应时代课题最为重要的思想进路。

Since 1990s,Chinese contemporary art has been greatly influenced by the Pictorial Turn of visual culture in the world.A series of important transformations and changes have taken place in cognitive mechanism,viewing mode,media technology and artistic concept.From the perspective of the theory of Embodied Cognition,the significance and value of Chinese contemporary art lies in the resistance to the solidification of perception and the autocracy of images,as well as the constant opening of visual imagination.This book holds that embodied viewing and free perception are the most important approaches for Chinese contemporary art to respond to this era.

Since the mid-to-late 90s of the 20th century, Chinese contemporary art has been greatly influenced by the "image turn" of visual culture around the world, and a series of important transformations and changes have taken place at various levels such as cognitive mechanism, viewing mode, media technology and artistic concept. From the perspective of "embodied cognition" theory, the significance and value of Chinese contemporary art lies in the resistance to perceptual solidification and image tyranny, as well as the continuous opening of visual imagination. This book argues that "embodied viewing" and "free perception" are the most important ideological approaches for Chinese contemporary art to respond to the issues of the times in terms of visual cognition and viewing methods. Since 1990s,Chinese contemporary art has been greatly influenced by the Pictorial Turn of visual culture in the world. A series of important transformations and changes have taken place in cognitive mechanism,viewing mode,media technology and artistic concept. From the perspective of the theory of Embodied Cognition,the significance and value of Chinese contemporary art lies in the resistance to the solidification of perception and the autocracy of images,as well as the constant opening of visual imagination. This book holds that embodied viewing and free perception are the most important approaches for Chinese contemporary art to respond to this era.（AI翻译）

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