本书是作者就改革开放以来一系列重大学术问题，如新时期文艺学有着怎样的发展轨迹，艺术哲学发生了怎样的变革，人类本体论艺术哲学的基本内涵是什么，文学可否定义、如何定义，文学具有怎样的存在形态，文艺美学如何在中国产生和发展，世界共产党人美学具有怎样的演化轨迹，怎样看待改革开放40年文学理论的巨大成就及经验教训，“诗文评”怎样向“文艺学”转化，全球化时代具有怎样的特点以及对文学和文学理论发生了什么影响等，进行了比较深入的考察、思考，并提出了自己的见解。作者努力不说套话、不说空话，而说自己的话。作者认为：“一家言”者，即提倡学者说自己的话。这应该是一种时代趋势、成为一种社会风尚，故取“学术一家言”为书名。

This book is the author's discussion on a series of major academic issues since the reform and opening up, such as what kind of development trajectory of literature and art in the new period, what changes have taken place in art philosophy, what is the basic connotation of human ontological art philosophy, whether literature can be defined and how to be defined, what form of existence literature has, how literary aesthetics emerged and developed in China, what kind of evolutionary trajectory the aesthetics of the world communists has, how to view the great achievements and lessons learned in literary theory in the 40 years of reform and opening up, and how "poetry and literary commentary" is transformed into "literary and art studies" Transformation, what are the characteristics of the era of globalization, and what impact has been on literature and literary theory, etc., I have conducted in-depth investigation and reflection, and put forward my own opinions. The author strives not to say clichés, not empty words, but to say his own words. The author believes that "family speakers" are those who advocate that scholars speak their own words. This should be a trend of the times and a social fashion, so "Academic Family Dialect" is taken as the title of the book.（AI翻译）

暂无简介

用户未登录无权限查看参考文献